Abstract
The British live sound industry saw an unprecedented economic and technological boom in the early 1970s. This article argues that a few years prior to that, an equally important shift in live sound occurred, one that involved the appearance of a new actor in the music industry: the roadie. Drawing on archival research and semi-structured interviews with British road crews active in the late 1960s, this article focuses on their practices and puts roadies at the centre of live sound development. It begins with a brief historical contextualization of British live sound in the late 1960s. It then explains roadies’ current involvement in the music industry, followed by a description of the genesis of this profession. Third, it focuses on sound-oriented roadies in the late 1960s and identifies key practices on the road, including knowledge exchange and creative uses of technology. I conclude with a few theoretical considerations about live music practices and rock history in general.
| Original language | English |
|---|---|
| Pages (from-to) | 122-138 |
| Number of pages | 17 |
| Journal | IASPM Journal |
| Volume | 13 |
| Issue number | 1 |
| DOIs | |
| State | Published - 2023 |
Keywords
- Live sound practices
- live music
- moving productions
- roadies
- rock history
Fingerprint
Dive into the research topics of 'British Rock Roadies: Doing sound in the late 1960s'. Together they form a unique fingerprint.Cite this
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver