JENE NETE, EL MUNDO DE LAS AGUAS EN LA OBRA DE CHONON BENSHO: LA COMPLEMENTACIÓN DE LOS SABERES ANCESTRALES Y LA MODERNIDAD

Pedro Favaron; José Agustín Haya de la Torre

doi:10.5565/rev/mitologias.965

JENE NETE, EL MUNDO DE LAS AGUAS EN LA OBRA DE CHONON BENSHO: LA COMPLEMENTACIÓN DE LOS SABERES ANCESTRALES Y LA MODERNIDAD

Translated title of the contribution: Jene nete, the world of waters in the work of Chonon Bensho: the complemtation of ancestral knowledge and modernity

Pedro Favaron
, José Agustín Haya de la Torre

Pontificia Universidad Católica del Perú

Research output: Contribution to journal › Article › peer-review

1 Scopus citations

Abstract

This article proposes to analyze the world of waters in the plastic and poetic work of the shipibo-konibo artist Chonon Bensho in order to understand how ancestral knowledge and hegemonic modernity complement and dialogue in her aesthetic proposal. For this, two paintings and a poem linked to one of them are analysed, and the artist´s testimonies are taken into account. Thus, the process of re-signification of knowledge and the possibilities for conceiving a modernity that coexists with indigenous knowledge is addressed.

Translated title of the contribution	Jene nete, the world of waters in the work of Chonon Bensho: the complemtation of ancestral knowledge and modernity
Original language	Spanish
Pages (from-to)	5-18
Number of pages	14
Journal	Mitologias Hoy
Volume	28
DOIs	https://doi.org/10.5565/rev/mitologias.965
State	Published - Jul 2023

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title = "JENE NETE, EL MUNDO DE LAS AGUAS EN LA OBRA DE CHONON BENSHO: LA COMPLEMENTACI{\'O}N DE LOS SABERES ANCESTRALES Y LA MODERNIDAD",

abstract = "This article proposes to analyze the world of waters in the plastic and poetic work of the shipibo-konibo artist Chonon Bensho in order to understand how ancestral knowledge and hegemonic modernity complement and dialogue in her aesthetic proposal. For this, two paintings and a poem linked to one of them are analysed, and the artist´s testimonies are taken into account. Thus, the process of re-signification of knowledge and the possibilities for conceiving a modernity that coexists with indigenous knowledge is addressed.",

keywords = "Amazonia, Amazonian Art, Ecopoetics, Shipibo-Konibo Art",

author = "Pedro Favaron and \{de la Torre\}, \{Jos{\'e} Agust{\'i}n Haya\}",

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doi = "10.5565/rev/mitologias.965",

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AU - Favaron, Pedro

AU - de la Torre, José Agustín Haya

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AB - This article proposes to analyze the world of waters in the plastic and poetic work of the shipibo-konibo artist Chonon Bensho in order to understand how ancestral knowledge and hegemonic modernity complement and dialogue in her aesthetic proposal. For this, two paintings and a poem linked to one of them are analysed, and the artist´s testimonies are taken into account. Thus, the process of re-signification of knowledge and the possibilities for conceiving a modernity that coexists with indigenous knowledge is addressed.

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KW - Amazonian Art

KW - Ecopoetics

KW - Shipibo-Konibo Art

UR - https://www.scopus.com/pages/publications/85169039843

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ER -

JENE NETE, EL MUNDO DE LAS AGUAS EN LA OBRA DE CHONON BENSHO: LA COMPLEMENTACIÓN DE LOS SABERES ANCESTRALES Y LA MODERNIDAD

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