Percepciones de realizadores sobre la producción audiovisual con smartphones en Argentina, Colombia, México y Perú

Félix Enrique García Anhuaman, Víctor Omar Vite León, Luis Felipe Cardona Del Real, Christiana Poggi Parodi

Producción científica: Contribución a una revistaArtículorevisión exhaustiva

Resumen

Introduction: Smartphones have become key tools in independent audiovisual production in Latin America due to their accessibility, portability, and technical flexibility. In contexts with limited budgets, these devices have democratized audiovisual creation, enabling narrative and technical innovations. This study analyzes the perceptions of short film directors in Argentina, Colombia, Mexico, and Peru. Methodology: Using a qualitative approach, 18 directors with experience in using smartphones were selected, with their productions featured in specialized festivals such as Mobile Film Latam and Ojo Móvil Fest. Semi-structured interviews explored their practices, reflections, and challenges. Results: Participants highlighted advantages such as portability, low cost, and technical flexibility, as well as their impact on innovative narratives and spontaneous visual captures. However, they pointed out technical limitations, such as editing and post-production challenges, and mentioned that certain industry sectors still perceive productions made with smartphones as amateur and lacking professionalism. Discussion and conclusions: The study shows that smartphones are transforming independent audiovisual production in Latin America. It proposes integrating these technologies into formal higher education in audiovisual communication and emphasizes the role of specialized festivals in legitimizing their use in the professional industry.

Título traducido de la contribuciónPerceptions of Filmmakers on Audiovisual Production with Smartphones in Argentina, Colombia, Mexico, and Peru
Idioma originalEspañol
PublicaciónRevista Latina de Comunicacion Social
Volumen2025
N.º83
DOI
EstadoPublicada - 31 ene. 2025

Palabras clave

  • Audiovisual narratives
  • Independent audiovisual production
  • Latin America
  • Mobile film festivals
  • Self-taught mobile filmmaking
  • Smartphone filmmaking
  • Smartphones

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